YOU'RE LOST LITTLE GIRL: A SONG IN THE DOORS' EUROPEAN TOUR
The Doors' second album, "Strange Days", contains some songs
that have remained relatively unknown within the band's repertoire.
One example is "You're Lost Little Girl", the second track,
which is sandwiched between the well-known rock songs "Strange Days"
and "Love Me Two Times". This track still captivates fans today,
although it is not widely known.
Although it is a charming and articulate psychedelic composition, it was
often omitted from concerts, except sporadically as an interlude between more
popular songs.
Despite this, The Doors performed the song during their European tour in
September 1968, which took them to London, Frankfurt, Amsterdam, Copenhagen and
Stockholm. It was a rather turbulent tour, marked as much by Jim Morrison's
excesses as by his extroverted on-stage genius. It should be noted that
Jefferson Airplane also participated in the tour.
Of the cities that hosted these memorable and historic concerts,
Stockholm is notable for having the best audio recording, as well as for
hosting the final concert of the tour on 20 September 1968. This tape also
contains "You're Lost Little Girl", which, a year after its release
on "Strange Days", became one of the songs chosen for Swedish
audience.
This live version of "You're Lost Little Girl" begins with
Morrison's voice unceremoniously shouting: "Stop that!" at the
audience, who were rhythmically clapping following the end of the previous
song.
This attitude was dictated by the desire to free the group's performance
from the commonplace nature of rock concerts. In fact, they preferred to be
perceived as a cultured and elevated show in direct contact with theatre.
The tune is played much as it is on the album, but vocals particularly
stand out.
Robby Krieger's brief solo complements Jim Morrison's singing,
highlighting the fact that this piece is intended to showcase the singer's
expressive and vocal talents. The solemn and dark progression of the vocal line
emphasizes the depth of the lyrics, a feature that is often overlooked in live
performances in favor of the music's immediate excitement.
This composition also reveals the attitude with which The Doors embarked
on this short European tour. Unlike many groups of the time, they did not seek
to inflame crowds of young spectators by relegating music and lyrics to the
background.
On the contrary, through their striking performances, the band aimed to
engage young Europeans, providing them with an opportunity to experience
unusual emotions and develop profound and articulate reflections. It is an
artistic form that, starting with music, is able to suggest conceptual
interpretations usually belonging to poetry and theatre.
The band aimed to attract attention through the most popular art form,
rock music, and then use that same attention to encourage viewers to reflect on
themselves and the world around them.
This was the spirit that inspired The Doors' European concerts. Within
these performances, Jim Morrison served as a catalyst for instant emotion as
well as a source of ideas and introspective thoughts. With their live
performance of "You're Lost Little Girl” in Stockholm, The Doors took
viewers on an artistic journey leading to intense emotions and highly
interesting content.
P.S.: My book "The Doors Through Strange Days"- The most comprehensive journey ever made through The Doors' second LP, is available on Amazon.com, .uk, .mx, .it, etc.
Here’s a link:

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